With my time at Murray State University, I am perusing a Bachelors of Science Degree in Art, with a double emphasis in Ceramics and Metalsmithing. In metalsmithing my work is small and intricate, while in ceramics I like for my work to be large and to consume space. Clay is soft and can be formed into anything and when the clay begins to stiffen as it dries, it can be stretched to its limits to create forms with intense curves. Recently, I have found a love for large forms that create curvature in space. Metal is sturdy and malleable, I enjoy working with metal because I can make detailed jewelry that can last a lifetime. After learning how to enamel, opportunities to experiment with color became present.
Throughout this final semester, I have been focusing my attention on growth. Whether its personal growth or growth that takes place in the environment, I have found an interest in the gradual transition that takes place as something matures over time. Beginning with Ceramics, the process of coil building itself becomes meditative. The physical process of roughing up the clay and then smoothing back out the surface is intriguing. This process in itself exemplifies growth or the building up of a form. The slip design depicts the maturing and repetition of a shape as it begins to expand over a form. The color of the glaze goes along with my interest in the environment, while it also does the best job at revealing the black slip work beneath.
In metalsmithing the process of enameling consists of building up layers to create a desired effect, which also references growth. The chain of a piece of jewelry can be interpreted in so many different ways, that is why I feel that it can be described as the most unique part of a piece. Chains that have multiple attachments or links dangling off are most appealing and eye catching. These extra links help to create movement in the piece. I can see the process of growth through these types of chains by the building up of links that then create movement.
Heather R. McGinnis